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佛理,虚幻缥缈;石材,质地坚实。虚与实的结合,凝聚成寄托人类思想精神的物质产物,成为了思想与艺术相互交融的精神载体。在信奉佛教思想的人们心中,石雕佛像承载了人们精神追求的最高理想诉求,正所谓“庄严国土、行乐有情”。笔者在创作构思石雕佛像的艺术形象时,领悟实践禅学之宗旨,遵行中国石雕佛教造像手法,研究分析了中国传统石雕造像创作中,有关线性的描绘、适形造型、意象表达,以及强化含蓄之美感等雕刻手法,坚持心手相师的理念,将佛学禅宗之气韵精神融入作品之中。
Buddha, illusory 缥 缈; stone, solid texture. The combination of the virtual and the real, condensed into a material product that pin the spirit of human thought, has become the spiritual carrier of the blending of thought and art. In the minds of those who believe in Buddhist thought, the stone Buddha statue carries the highest ideal of people’s spiritual pursuit. It is called “solemn country, happy and affectionate.” In the process of creating the artistic image of the stone statue, the author comprehends the purpose of practicing Chan Buddhism, complies with the Buddhist statues of Chinese stone sculptures, and analyzes and analyzes the linear depictions, conformal shapes, image expressions, and the implicit Beauty and other carving techniques, adhere to the concept of mentally and spiritually, Buddhism, Zen spirit of the rhyme into the works.