失去功能的卫星,在空中飘荡,不是因外力所致,而是来自它本身;我要停摆这个装置,2010年台北双年展内建的批判机制。这不是要离弃它,反而是要让它以这种失能示人;这是一种自我客体化,但不是为了自我批判,因为如今若不是流于虚矫,便是为了服众的修辞术。套用德勒兹说的“détraquées”(坏掉、出毛病)1,这只不过是要让这部机器——卫星——变得无法运转,行不通,让这部欲望机器故障,反批判机制的有机论。 Lost satellite satellites, floating in the air, not due to external forces, but from it; I want to stop this device, the 2010 Taipei Biennale built the critical mechanism. This is not to forsake it, but instead to show it in such incapacity. It is a self-objectification but not for self-criticism, because nowadays it is not rhetoric, but rhetoric to serve the people. Apply Deleuze’s “détraquées ” (broken, wrong) 1, this is just to make this machine - the satellite - became impossible to work, so that this desire machine failure, anti-critique Organic theory of mechanism.