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宋人孔武仲有一段评论苏轼诗画融合的话:“尝闻之(按:指苏轼)曰:文者无形之画,画者有形之文,二者异迹而同趋,以其皆能传生写似为世之所贵珍。居士之文俊伟宏博,纤余较好矣;而又欲穷丹青之妙,忧以此娱情,欢以此寓笑,盖将以贾谊,陆贽之辞,恺之,摩诘之笔兼之乎一身。”诗文与绘画的共同之处或者说共同优点在于“皆能传生写似.”这里的“生”,在我理解,就是描绘对象背后蕴含着的生生不息的本体世界,是充溢着活力的道理。而作为绘画的“丹青”,它的“妙”处就在于能够于人与宇宙本体的合一中“娱情”、“寓笑”,也就是文人画所注重的寓物抒情、寄兴忘忧。因此准确理解“文”(诗)与“画”这二者所“同趋”的境界是什么,对于理解文人画的一系列特征都有着极为重要的关系.
Song Wuzhong, a commentary on the poetic fusion of words: “taste of the news (press: refers to Su Shi) said: literary invisible painting, the artist’s tangible article, both with the same trace and trace, Students write like the world of precious Jane. Lay of Wen Junwei Hongbo, fiber Yu better carry on; and Danqing Danqing of the wonderful, worry about this entertaining love Huanjie laugh, cover will be Jia Yi, Lu Yu’s Ci , Kai, Moraine’s pen and almost one. ”Poetry and painting in common or the common merit is that“ all can write a similar biography. ”Here’s“ raw ”, in my understanding, is the image behind the object The endless life of the ontological world is full of vitality truth. As a painting of “Danqing”, its “wonderful” place lies in the unity of man and universe ontology, “entertaining”, “ridicule”, which is the literati painting paramount lyricism, send forget worry. Therefore, it is very important to understand accurately the realm of “Tong Teng” between “Wen” (poem) and “painting” and have a very important relationship to understand a series of features of literati painting.