翻译的过程既是忠实于原作的忠诚的阐释,也是译者充分发挥自我创造意识的大胆的“叛逆”之路。随着翻译研究“文化转向”的出现和研究视野的不断扩大,译者在翻译中的地位逐渐从边缘化向中心化转变,译者主体性在翻译过程中得以彰显。本文选择张爱玲代表作《倾城之恋》的金凯筠译本为研究对象,以乔治·斯坦纳的阐释学翻译四步骤理论为视角来研究译者主体性在该译本中的体现。 The process of translation is both faithful to the loyalty of the original interpretation, but also the translator’s full play to create self-awareness bold “rebel ” road. With the advent of translation studies and the “cultural shift” and the continuous expansion of research perspectives, the translator’s position in translation gradually shifts from marginalization to centralization, and the translator’s subjectivity can be demonstrated in the process of translation. This thesis chooses Jin Kaiyun’s translation of Zhang Ai-ling’s masterpiece Love of Allure as the object of study and studies the embodiment of translator’s subjectivity in the translation from the perspective of George Stein’s four-step hermeneutic translation theory.