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叶燮是清初很值得注意的美学家和诗学理论家,对“美”和诗歌创作原理都作过独到、深入的探讨。如何把握叶燮的美学思想、诗学思想及两者之间的联系,是一个有价值的论题。叶燮的诗论立足于对审美发生的主客体二元性的基本认识,分析了“在物之三”(“理”、“事”、“情”)与“在我之四”(“识”、“胆”、“才”、“力”)的特征及其相互关系以及“物我相合”之后化生的诗学新质,以此作为评价历代诗歌演变的标准和“不主一格”风格论的内在依据,层次丰富,思理绵密,独具个性,是清代乃至中国诗学中的宝贵建树。尽管其逻辑的严密性还不够,但叶燮力图从自己的感受出发对诗歌的发生原理和美学特征作出独立解读,并努力摆脱历代诗话零星、感性的札记形态,系统地建构一种颇为严密的理论体系,是值得肯定和关注的。
Ye Xie is a notable aestheticist and poetic theorist in the early Qing Dynasty. He made unique and in-depth discussions on the principle of “beauty” and poetry creation. How to grasp Ye Xie’s aesthetics, poetics and the relationship between the two is a valuable topic. Ye Xie’s poetry theory is based on the basic understanding of the duality of the subject and the object of the aesthetic, and analyzes the relationship between the “three things”, “”, “love” “In the four ” ( “consciousness ”, “bile ”, “talent ”, “force ”) characteristics and their relations and As a new standard of evaluating the evolution of ancient poetry and the internal basis of the theory of “non-dominant style”, which is rich in layers, dense in thought and unique in personality, Valuable achievements. Although its logical rigor is not enough, Ye Xie tries to make an independent interpretation of the principle of occurrence and aesthetic features of poetry from his own feelings and strive to get rid of sporadic and sentimental notes of ancient poetry and systematically construct a rather strict The theoretical system is worthy of recognition and attention.