本论文以中国大陆、台湾等多地远征军题材影视剧及部分纪录影像为研究对象,相关作品已经表现出叙述主体的多元化、叙事情感走向的多样化。远征军曾经战斗过的二战中印缅战场本身具有国际化性质,全球化时代的相关影视创作当立足个体、多一些超越国族的表述,从而更有可能实现永恒。 This dissertation takes the dramas and some recorded images of expeditionary force in mainland China and Taiwan as the research objects. The related works have shown the diversification of narrative subject and the diversification of the narrative emotion. The World War II World War I with which the Expeditionary Army fought had its own international character. The related film and television creations in the era of globalization should be based more on an individual basis and have more representations that go beyond the nationalities, making it more likely to achieve eternity.