早期的中国当代艺术,观念大过方法,作品呈现常常非常粗糙。对于方法、语言细致、系统的研究,始自年轻一代。曾经看过一届中央美院美术馆主办的青年艺术家邀请展,当时曾感慨与观念和生命体验相关的,艺术方法的多样性。严肃思考的血缘从未绝迹,在成功学之外,在艺术理论/批评缺失的小时代,在越来越犬儒的学术风气下,始终存留着星星之火。我和刘符洁的对话始终是在一种清晰的逻辑线索里,如她思考、创作,甚至可以感到对于逻辑的渴望让她更多停留在遥遥无尽的过程里,而不急于到达终点,这就是学院派的可爱之处,速度也许慢,但预设的高度在那儿摆着呢! In the early stage of Chinese contemporary art, the concept was overstepped and the work presented was often very rough. For the method, detailed language, systematic research, from the younger generation. I have seen a solo exhibition of young artists organized by a Central Academy of Fine Arts gallery at that time, at a time when I had mixed feelings about the diversity of artistic methods related to ideas and life experiences. The blood of serious thinking has never been extinct. Outside the school of success, in the era of lack of art theory / criticism, under the increasingly cynic academic atmosphere, there has always been a starry fire. My dialogue with Liu Fujie is always in a clear logical clue, such as her thinking, writing, and even being able to feel her desire for logic to let her stay in the distant endless process without hurrying to the end It is academic cute, speed may be slow, but the preset height is there too!