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以往对雷圭元“版、刻、结”造型规律的讨论集中在图案基础课程教学中“版、刻、结”造型规律与“写生变化”之间孰重孰轻,孰是孰非的关系问题上,没有对“版、刻、结”观点背后深刻的思想动机和时代语境进行探讨。文章通过对“版、刻、结”造型特征的重新解读,阐述了“版、刻、结”设计理念的民主化内核和功能化倾向,揭示了在当时社会背景下雷圭元提出“版、刻、结”造型规律的科学性和进步性。
In the past, the discussions on the modeling rules of Lei Ji-yuan “edition, engraving and knot” focused on the differences between the modeling rules of “edition, engraving, knot” and “sketch changes” in the teaching of basic patterns. On the question of the relationship between right and wrong, there is no discussion on the profound ideological motives behind the “edition, carve, knot” viewpoint and the contemporary context. Through the reinterpretation of the modeling features of “edition, engraving and knot”, the article expounds the democratization kernel and functional orientation of the design concept of “edition, engraving and knot” and reveals that in the social context, Proposed “edition, engraved, knot ” modeling laws of science and progress.