以写竹称善者,自唐代萧悦墨竹开宗(白居易有《画竹歌》赞之)而来,程修己、李昂承其绪。自此“良工远精思,巧极似有神,临窗时乍睹,繁阴合再明。”李昂诗中已为画竹确立“基准”——须“形、神”俱见。从而五代后蜀黄筌以墨染竹,李宗谔见其墨竹图作《黄筌墨竹赞》,有“清姿瘦节,秋色野兴”之誉;丁谦学萧悦对竹写生;李颇画竹不 In order to write Zhu said good, since the Tang Dynasty Xiaoyue Mozhong Kai (Bai Juyi “painting bamboo song” like it), Cheng Xiuji, Ang Cheng Chengxu. Since then, “Good work is far from thinking, clever like a god, see the window at first glance, complicated once again.” Poems have been established in Ang Lee for the painting to establish a “benchmark” - “Shaped, God” see. So that after the Five Dynasties Shu Huang 筌 to ink stained bamboo, Li Zong 谔 see its ink bamboo map as “筌 筌 墨竹 like”, “clear beauty stature, autumn wild Hing” reputation; Ding Qian Xiao Yue bamboo sketching; Do not