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美学史中颇具有深刻性的“主观说”和“客观说”的独断化倾向，使其难以成功地诠释美的现实生成。在审美的对象性关系中，审美主体的本质力量以审美中介的方式现实存在；审美的对象性关系由欣赏性审美关系和创造性审美关系构成；审美中介由观念态审美中介和实践态审美中介构成。在欣赏性审美关系中，美生成于观念态审美中介与客观的互动；在创造性审美关系中，美生成于实践态审美中介与客体的互动。由此可以说，美，生成于审美中介与客体的互动。
The dogmatic tendency of “subjectivity” and “objectiveness” in the history of aesthetics makes it difficult to successfully interpret the reality of beauty. In the object relationship of aesthetic object, the essential power of aesthetic subject exists in the way of aesthetic intermediary; the object relation of aesthetic object is composed of appreciation aesthetic relationship and creative aesthetic relationship; and aesthetic intermediary consists of conceptual aesthetic agent and practical aesthetic agent . In appreciating the aesthetic relations, the United States was born in the interaction between the aesthetic agency of the concept state and the objective. In the creative aesthetic relationship, the United States emerged from the interaction between the aesthetic intermediary and the object in the practical state. From this we can say that beauty is generated by the interaction between aesthetic intermediaries and objects.