在法国的文学研究中,现在是恢复观念史地位的时候了。首先是因为,应该重新考虑以知识总是分成大量碎片的名义强加给任何对现实的全面探讨的不信任,这种不信任归根结蒂可以被证明是目光短浅或思想僵化。有时候,文学批评就是这种情况,陷人了结构、符号和各种现实情况的影响之中。诚然,由于语言学、社会学或心理分析学,文学作品失去了它的透明性,变成了一个引起探讨的有争议的场所。但是作品本身的范围往往是有限 In French literary studies, it is time to regain the status of the concept of history. The first is because the mistrust of imposing a comprehensive examination of reality in the name of knowledge always broken down into large fragments should be reconsidered. Such mistrust can in the final analysis prove to be short-sighted or inflexible. Sometimes this is the case with literary criticism, caught in the influence of structure, symbols and various realities. It is true that literature has lost its transparency due to linguistics, sociology or psychoanalysis and has become a controversial venue for discussion. However, the scope of the work itself is often limited