对李继开纸本绘画的最初印象来自2010年的《灯笼》。那一段时间,他先后创作过好几幅关于“灯笼”的作品——在那些糅合着温馨的少年记忆与失魂落魄般的迷惘与彷徨的奇妙绘画里,如梦如幻的“灯笼”是少年与魔幻世界间复杂难言的心灵纽带——对我而言,最动人的恰恰是这幅近乎单色的纸上作品。这幅画的意象很简明,仅仅描绘了一个头上莫名其妙地套着一盏高高的方形灯笼的少年,但逼仄的空间,诡谲的灯笼,闪烁的光芒,漫天的飞蛾,以及身处窘境的神经质的少年,却自然烘托出紧张的心灵冲突;语言形式也颇为简单,几乎完全是以有些痉挛的墨线勾 The original impression of Li Jikai’s paper-based painting came from 2010’s “Lantern.” At that time, he wrote a number of works on “Lantern” successively - in the fantastic pictures of confusion and perplexity that blend with warm juvenile memories and distraughtness, his dreamlike “Lantern” It’s a complex spiritual bond between a teenager and a magical world - for me it is precisely this nearly monochrome piece of paper. The image of this painting is very concise, depicting only a teenager who inexplicably carries a tall square lantern on his head, but cramped space, fantastic lanterns, twinkling light, sky-flying moths, Of nervous children, but naturally set off a stressful spiritual conflict; the language is also quite simple, almost entirely with some spasms of the ink hook