我的目光时常徘徊在物的表层,阅读表层所能传达的能指与所指,将主体纳入缺席之境。表层的图像化扭曲了具体的经验,使我改变了原本来自生活的假想,转而以一种缺乏鲜活的亢奋来体验表层的意味。目光在此意味裹胁下,开始幻造各种场景,于是,绘画成为一种游戏,或许就是贡布里希所指的那种严肃的游戏。 My eyes are often wandering the surface of things, reading the surface can convey the signifier and means, the subject into the absence of the situation. The visualization of the surface distorts the concrete experience, allowing me to change my original assumption of life and to experience the surface as a lack of vivid excitement. Here, the gaze implicates the various scenes, and as a result, painting becomes a game, perhaps a serious game of the kind referred to by Gombrich.