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我从演员、导演到团长,一路走来,有个切身体会:导演不要当团长,当团长无法静心做好导演;而且,戏曲导演最好是演员出身,戏曲是一门高度综合的艺术,其容纳的艺术因素众多,远远超过话剧;当然,话剧很多东西值得学。做导演心态不能浮躁,需要积淀积累,在不断实践中不断丰富自己,有准备了,就要勇敢“主动出击”。每个人的成长环境不一样,我1978年由于化妆过敏立志当导演,拼命学习。我唱青衣,但什么戏都学,花旦刀马旦的戏也学,小生的台步和其他剧种的,都学,为做导演做准备。1987年,自己重新排《打神告
From the actor, the director to the head, along the way, have a personal experience: the director should not be head, when the head can not meditate director; Moreover, opera director is best actor origin, opera is a highly integrated Art, which accommodates a large number of artistic factors, far more than drama; of course, much drama is worth learning. Director mentality can not be impetuous, you need to accumulate accumulation, continue to enrich their own practice, ready, we must brave “take the initiative ”. Everyone’s growth environment is not the same, I was determined in 1978 because of makeup allergy director, desperately learning. I sing Tsing Yi, but what play learn, spend Dan Dadan Ma Dan’s play, niche walk and other dramas, learn, in preparation for the director. In 1987, he re-arranged "God to tell