百年以来,中国对艺术发展规律的探讨和研究从未间断,但多为倾向性或不同侧重点的研究,而从哲学角度且更具学理层次的研究尚不多见。我们不妨改变一下思路,重新选择一个角度。如果我们从理论上确认二重结构就是艺术发展的客观存在,就是普遍规律,那么我们对艺术发展规律研究的脉络就相对清晰多了,研究也会随之深入。 Since the past hundred years, the study and study of the law of art development in China has never stopped. However, most of the researches have tended to be more or less focused, and more philosophical and philosophical studies are still rare. We may wish to change our thinking, to re-select a point of view. If we theoretically confirm that dual structure is the objective existence of art development and is a universal law, then the context in which we study the law of art development is relatively clear and the study goes further.