《费加罗的婚礼》与《卡门》是西方歌剧史上比较具有浓烈艺术文化色彩的代表之作,其中的音乐构造与戏剧性的对比堪称世界之最。两部歌剧看似无社会、题材、文化等背景交集,但强烈的戏剧文化以及灵活的音乐气息,却成为了它们之间相似性的纽带。本文将着重从两部歌剧的戏剧性与音乐的独特性出发,以透彻的视角深入揭开两者之间的共性“支点”。 “Marriage of Figaro” and “Carmen” is a representative of the comparatively strong artistic culture in the history of western opera. The musical structure and the dramatic contrast among them are the highest in the world. The two operas seem to have no social, theme, cultural background intersection, but the strong drama culture and flexible musical atmosphere, but has become a bond between them similarities. This article will focus on the operas and the uniqueness of the two operas, and thoroughly reveal the commonalities between the two “fulcrums”.