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杂文是1949年后“新的人民的文艺”内部身份暧昧的文体,它的合法性论证以及现实发展牵涉到当时文艺界不同文学力量之间的竞争与博弈。发生于1957年《文汇报》“笔会”副刊上的“杂文复兴”的论争,吸引了延安文人、前左翼作家、前自由主义文人等不同群体的卷入,并以对“冷嘲”与“热骂”、“歌颂”与“暴露”的冲突性解释,折射了当代文学内在的差异与矛盾。
Essay is the style of ambiguous internal identity after 1949, and its legitimacy and reality development involve the competition and game between the different literary forces in literary and art circles at that time. The controversy over the revival of essays on the Wen Wei Po / PEN Supplements of 1957 attracted the involvement of different groups including Yan’an literati, former left-wing writers and former liberal literati, The contradictory explanation of “scold”, “scold”, “sing” and “expose” reflects the internal differences and contradictions of contemporary literature.