莎士比亚的喜剧是一种深度喜剧,于谈笑间讨论各种严肃的问题,葬送逝去的旧世界,迎来新时代。《温莎的风流娘儿们》欢笑着送走了福斯塔夫代表的没落骑士制度,《威尼斯商人》集中探讨文艺复兴时期急剧转变的金钱观念,《一报还一报》作为莎士比亚的喜剧代表作之一,则在一场狂欢式的审判中回答了古老的性欲问题。本文将尝试从这部喜剧对中世纪圣徒传的戏仿出发,探讨莎翁如何检验各种性欲观念,以及所传递的一种“现代”的性欲观。 Shakespeare’s comedy is a deep comedy, discussing all kinds of serious problems in conversation, ruining the old world, ushering in a new era. “Windsor’s Merry Wives” laughed away from Falstaff’s Fallen Knight system, “The Merchant of Venice” focused on the idea of ​​a rapidly changing Renaissance money, “One Man in the Same” as one of Shakespeare’s comedy masterpieces , Answered the ancient question of sexuality in a carnival trial. This article will attempt to start from the mimesis of this comic on the saints in the Middle Ages and explore how Shakespeare can test various sexual desires, as well as the “modern” view of sexual desires.