杭州西泠印社湖滨营业厅,如今依旧高悬着沙孟海八十年代初写的匾额“翰墨千秋”。大师驾鹤西归,墨迹犹新。二十世纪的风景渐渐远去,二十世纪的印坛人物还在沉浮招摇,曾经的煊赫终究归于平静,大师也罢名家也罢。称吴昌硕为巨擘,大概没人会反对。吴昌硕是上世纪艺术家中气焰最盛的一位,书画诗印,四面出击,气贯日月。百年印 Hangzhou Xiling Yinshe Lakeside Office, now still hanging Sha Menghai written in the early 1980s the plaque “Johnny.” Master driving a crane west, ink still fresh. The scenery of the 20th century faded away. In the twentieth century, the Indian altar figures were still floating up and down. Once, he was at peace all the time, and his master was worth mentioning. Named Chang as a giant, probably no one will object. Wuchang Shuo is one of the most arrogant artists in the last century, painting and calligraphy and poetry, attack on all sides, consistent with the sun and the moon. A hundred years India