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乐器与人生的关系是音乐人类学的重要命题。广西少数民族乐器的特色在于它是以生命为母题的民俗音乐文化现象。从神话传说中的乐器到祭祀乐舞、巫术禁忌中的乐器、礼器、法器 ,无不体现出西南山地农耕文化中的原始哲学思维方式———对生命的终极关怀。而通过对广西少数民族的葫芦崇拜这一现象的透析 ,可窥见其对人类起源的遐想及中国本土与拉丁美洲音乐文化上的联系与差异。广西民俗乐器历史悠久 ,历史上中原已消失的乐舞文化在广西却仍有遗存 ,它们是人类音乐文化的一份宝贵遗产。
The relationship between musical instruments and life is an important proposition of musical anthropology. The characteristic of the minority nationality musical instrument in Guangxi is that it is a folk music cultural phenomenon based on life. From the myths and legends of musical instruments to sacrificial music and dance, the taboo and ritual instruments in witchcraft taboo all reflect the primitive philosophical way of thinking of farming culture in the southwest mountains --- the ultimate concern for life. Through the dialysis of the gourd worship of ethnic minorities in Guangxi, we can get a glimpse of the reverie of human origin and the connection and difference between Chinese culture and music culture in Latin America. Guangxi Folklore Instrument has a long history. The music and dance culture that disappeared in Central Plains in history has remained in Guangxi. They are a precious legacy of human music and culture.