我曾经给江南下过这样的定义:它不仅仅是一个简单的区域概念,同时它也具有一种审美的属性,一种人文的性格,而它的这种属性和性格既是天然的,也是人造的。因此,“江南”这个概念与其说是地理的,倒不如说是文化的。从这个意义上来看,画家们“地理”地表现江南是一种选择,“文化”地表现江南也是一种选 I once gave Jiangnan a definition that is not merely a simple regional concept but also has an aesthetic attribute and a humanistic character whose nature and character are both natural and man-made of. Therefore, the concept of “Jiangnan” is not so much geography as it is cultural. In this sense, it is an option for artists to express Jiangnan “geographically,” and “culture”