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物质决定意识,作为一种意识形态而存在的舞蹈也必然是由客观事物所决定的。从古至今,历来如此。社会时代背景的变迁决定了舞蹈的不断演变、发展,与此同时,意识又反作用于物质,舞蹈又会对社会产生反作用。舞蹈来源于生活,也是对社会生活的反映,但是并不代表舞蹈反映的是实际生活。我们说人是具有主观能动性,运用舞蹈表现对社会生活的积极的能动反映。从现实社会生活到舞蹈艺术,是需要经过人的加工和改编的,而并非是原封不动的直接套用。本文对具体的步骤做了一个简单的分析,从舞蹈创作的选材、构思到编排入手,提出了创作与生活两者之间的关系及意义。
Material decision consciousness, as an ideological existence of the dance must also be determined by the objective things. It has always been so since ancient times. Changes in the background of the social age determine the evolving and evolving dance. At the same time, consciousness acts counter to the material and the dance will have a negative effect on the society. Dance comes from life, but also reflects the social life, but does not mean that dance reflects the real life. We say that man is a positive and dynamic reflection of social life with subjective initiative and the use of dance performance. From the actual social life to the art of dance, it needs to be processed and adapted by people instead of being applied directly as it is. This article makes a simple analysis of the specific steps, starting from the material selection and conception of dance creation to the starting of arrangement, and puts forward the relationship and significance between creation and life.