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谢晓晶:《罗曼蒂克消亡史》上映之后,引发了很多的热议,各种评价也都有,我想今天在座的各位老师和同学也会有很多问题,希望跟导演来交流,我们充分利用交流的时间,下面就可以提问了。提问:程导演好,我有三个问题。第一,我没看懂杜江的那一段戏是要影射某个角色的人生发展,还是说有什么其他的意义?第二,我没有看懂结尾,葛优为了让浅野忠信出去,命令杜淳杀死了他的第一个儿子。为什么会写这么狠的一段戏,来挑战观众伦理的底线?第
Xie Xiaojing: After the release of “The Death of the Romance”, it triggered a lot of heated discussions and various evaluations. I think all the teachers and students present here will also have many problems and hope to exchange ideas with the directors. We will make full use of the exchange Time, the following questions can be asked. Question: Director Cheng is good, I have three questions. First, I did not understand Dujiang that period of drama is to affect the development of a character’s life, or that there is any other significance? Second, I did not understand the end, Ge You to Asano to faithfully go out and order DU Chun Kill his first son. Why write such a ruthless play, to challenge the bottom line of audience ethics?