国内学者从新批评角度分析其名篇《秋颂》有两大趋势,一是研究诗中描绘的美丽景色,而是聚焦于美丽景色下掩盖下的秋的险恶用心和死亡意味。本文以新批评理论为支撑,认为《秋颂》中美景下的死亡并非是面目狰狞的,而是完美的一部分。诗人毫不露声色地带领读者体验死亡前的大美,热情讴歌了成熟,死亡,与美的统一。 Domestic scholars analyze the famous song “Autumn Song” from the perspective of new criticism. There are two major trends. One is to study the beautiful scenery depicted in the poem, but focus on the sinister intention and death meanings of autumn under the cover of beautiful scenery. Based on the new theory of criticism, this article argues that the death under the beauty of “Autumn Song” is not the face of shame, but the perfect part. The poet unflinchingly led readers to experience the great beauty before death, and his passion eulogized the unity of maturity, death and beauty.