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北宋中后期出现的文人画思潮,与这一时期一大批卓有成就和名望的文人书画家直接有关。他们都是士大夫阶层的人物,置身于画院体制之外,主张人格独立、创作自由,以书画寄兴悦情。他们因对绘画的思想观念和认识见解的相同而走到一起。我们现在说的文人画思潮,当时应称士人画思潮。所谓思潮,是指某一历史时期内反映一定阶级或阶层的利益和要求的一种思想倾向。“士人画”的提出而形成一种思潮,表明北宋中后期出现了士大夫阶层的文人书画家要求绘画思想变革而诉求绘画创作以新意的思想潮流。提出士入画并引导潮流的是苏轼,站立在他身旁的有苏辙、文同,王诜、李公麟、米芾以及苏门四学士的黄庭坚、秦观、晁补之、张耒等文人书画家。他们经常有聚会的盛事,可谓情趣相投,志同道合。苏轼兄弟的政治立场和思想见解基本上一致,这也决定了他们在文人画思潮中始终走在一起。说到苏轼推动的文人画思潮,不能不述及他的政治主张。
The trend of literati painting in the middle and late Northern Song Dynasty was directly related to a large number of calligraphers who made great achievements and fame in this period. All of them are scholars of the scholar-class people. They are exposed outside the art academy system and advocate personal independence and freedom of creation. They come together for the same ideas and understanding of painting. What we now call the literati painting trend of thought should be called the ideological trend of scholars. The so-called trend of thought refers to a kind of ideological tendency reflecting the interests and demands of a certain class or class in a certain historical period. “Scholar painting ” proposed and formed a kind of trend of thought, that appeared in the late Northern Song Dynasty scholar-class literati calligraphy and painting painter asked painting ideas change and appeal to the creative thinking of painting trend. Putting into the painting and guiding the trend is Su Shi, standing next to him with Su Zhe, the same text, Wang Yi, Li Gonglin, Mi Yang and Su Ting four bachelor Huang Tingjian, Qin Guan, Chao Buzhi, Zhang Jian and other literati painting Family. They often have a gathering event, described as similar interests, like-mindedness. The political stance and ideological opinions of Su’s brothers are basically identical, which also determines that they always walk together in the literati painting trend. Speaking of the literati painting trend promoted by Su Shi, we can not fail to mention his political ideas.