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19世纪末澳籍女作家亨利·汉德尔·理查森因长篇小说一举成名,但其创作的短篇小说却被批评家贬为具有女性狭隘性,被严肃文学拒之门外。但是在女性政治、经济地位日益提高、女性文学极大发展的今天,我们应该重新审视理查森的短篇小说。事实上,她是通过自己独具特色的短篇小说向世人宣告,女性作家也可以拥有自己独立的审美意识,女性文学也有它的自在状态。从这个意义上说,理查森的短篇小说是具有历史进步性的,是文学领域里反映女性话语的经典之作。
The late 19th century Australian woman writer Henri Handel Richardson became famous for her novels, but her short stories were dismissed by critics as narrow-minded and rejected by serious literature. However, with the increasing political and economic status of women and the great development of women’s literature, we should revisit Richardson’s short stories. In fact, she proclaimed to the world through her unique short stories that female writers can also have their own independent aesthetic awareness, and that female literature also has its own state of comfort. In this sense, Richardson’s short story is of historical progress, and it is a classic of women’s discourse in the field of literature.