近十几年改革开放西方各种思潮竞相涌入之后,中国的社会(主要是城市)已经变的再也不像是中国了,建筑、文学、绘画、戏剧、哲学(思想)、诗歌等等这些领域中很难再见到中国的东西了,虽然仍有人在坚持继承、重建和发扬中国的文化,虽然仍有人在为中国文化的不断消亡而呼喊,但力量始终弱小。我们现今可借“中国的哲学”与“中国哲学”之划分的方法,将中国当今的动画划分为“中国的动画”与“中国动画”。 After more than a decade of influx of Western ideas in the wake of the reform and opening up, China’s society (mainly the cities) has never looked like China again. Architecture, literature, painting, drama, philosophy (philosophy), poetry, etc. It is very hard to see China again in these fields. Although some people are still persisting in inheriting, rebuilding and carrying forward Chinese culture, there are still some people who shout at the ebb and flow of Chinese culture but are still weak in strength. We can now divide China’s current animations into “Chinese animations” and “Chinese animations” by dividing the “Chinese philosophy” and “Chinese philosophy.”