从叙事的角度考察戏曲,发现小说中的叙述人在戏曲中消失了,但戏曲故事仍然能演绎下去,说明叙述语言产生了转化。其转化体现在三方面:一、叙述语言人物语言化方式,二、丰富的主唱人物的叙述方式,三、人物交往的对方叙述方式。并探讨了叙述语言消失后,对戏曲审美特点形成的影响。 From the point of view of narration, we can see that the narrator in the novels disappears in the opera, but the story of opera can still be deduced, which shows that the narrative language has transformed. The transformation is reflected in three aspects: First, the language of narrative language, second, rich vocal character narration, third, character interaction of the other way of narration. After discussing the disappearance of the narrative language, the author discusses the influence of the aesthetic characteristics of the opera.