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法国作家雨果曾说:“人民的思想就像宗教的一切法则一样,也有他们自己的纪念碑。人类没有任何一种重要思想不被建筑艺术写在石头上,人类的全部思想,在这本大书和他的纪念碑上都有其光辉的一页。”同样,我们中国古代传统建筑文化也源远流长,博大精深,古代传统建筑承载了中华民族几千年丰富的历史文化,是一类特殊的文化载体,我们通过对这些文化载体的研究去深入了解当时社会的历史、人文等,本文则是通过对北京天坛祈年殿的外形内部构造、色彩、以及建筑本身包含的数字内涵这几个方面来阐述祈年殿表达出的人与自然和谐共存的关系以及“天人合一”的审美精神。这一思想观念、审美精神在我国古代具有深刻的、先进性的意义,同样,在当今时代仍然具有明显的正确性、先进性。
French writer Hugo once said: “The people's minds are just like all the laws of religion, and they have their own monuments. No human being has any important thought not written in stone by architectural art. All human thought in this book The big book and his monuments have their glorious pages. ”“ In the same way, our ancient Chinese traditional architecture culture has a long history and profound significance. The ancient traditional architecture carries the rich history and culture of the Chinese nation for thousands of years and is a special type Through the study of these cultural carriers, we deeply understand the history and humanities of the society at that time. This article is based on the internal structure and color of the appearance of the Temple of Heaven in Beijing's Tiantan Temple and the digital connotation contained in the architecture itself It expounds the relationship between the harmonious coexistence of man and nature expressed by the Prayers Hall and the aesthetic spirit of ”harmony between man and nature." This ideological concept and aesthetic spirit have profound and advanced significance in ancient China. In the same vein, they still have obvious correctness and advanced nature in our time.