水作为生命的源泉,“为有源头活水来”。道德经中提到:上善若水,水对万物都有帮助但它不在意名利。最高层次的善德就像水一样。水滋养万物而不与其争夺,处在最低下的地方也无所厌恶,这种无畏的精神就如中国画水的角色。水在宣纸上任其与墨的调和,出现干湿浓淡、虚实相间的效果。一、干湿浓淡唐·张彦远曾说:“生枯笔,润含春泽,干裂秋风”也是说的水在中国水墨画中起的作用,与道文化体现的思想相一致。著名诗人、画 Water as a source of life, “for the active living water ”. It is mentioned in the moral scriptures that if water is good, water will help everything but it does not mind fame and fortune. The highest level of goodness is like water. Water nourishes all things without contending with them, and there is no repugnance in the lowest place. Such fearless spirit is like the role of Chinese painting water. Water in the rice paper on either of its reconciliation with ink, there dry and wet shades, the effect of the actual situation. First, the wet and dry Tang Yan Zhang said: “Essay pen, Run with spring Ze, dry autumn wind” is also said that water plays a role in Chinese ink painting, consistent with the thought of Tao culture. Famous poet, painting