在当下诗歌发展的特殊文化语境中,语言问题似乎已不再是一个什么尖锐或新鲜的问题。80年代中后期,“第三代”诗人对语言穷尽一切的实验已经让人们对语言问题感到厌倦。无论是“口语化”诗歌的大面积兴起,还是“诗到语言为止”、“前文化语言”、“超语义”等写作理念的大规模实验,都让我们对语言与诗歌的关系一目了然,这些观念的成败得失也似乎无须再进行进一步的专业指认。理论家如果在这时还在 In the special cultural context in which contemporary poetry evolves, language problems seem no longer a sharp or fresh question. In the mid-to-late 1980s, “third-generation” poets’ exhaustive experimentation on language has made people tired of language problems. Whether large-scale rise of “colloquial” poetry or large-scale experiments such as “poetry to language”, “pre-culture language” and “super-semantic meaning”, let us have a clear understanding of the relationship between language and poetry. The success or failure of ideas also seems to no longer need further professional identification. Theorists are still here