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二十世纪中叶出现的后现代主义反映了西方文化、哲学理论的新变化,同时也反映了这一时期人的心灵困境与精神危机。本文以电影《白电王》和《香水》里的“天才”境遇为例,主要从两个方面浅析后现代语境下人的心灵荒原:一方面,人性在以信息为基础的“智能技术”同机械技术并驾齐驱的社会里游向道德的边缘、恶的深渊;另一方面,那些孤独的灵魂没有了可安附的肉身,只能在飘渺中寻求异样的解脱。
Postmodernism emerged in the middle of the 20th century reflected the new changes in western culture and philosophical theory, and at the same time reflected the spiritual plight and spiritual crisis of the human being during this period. Taking the “genius” situation in “The White King” and the “Perfume” as an example, this paper mainly analyzes the human spiritual wasteland in the postmodern context from two aspects: on the one hand, human nature is based on information On the other hand, those lonely souls who have no body to be attached to, can only find a strange relief in the misty.