当80年代初作为文学评论的《现代小说技巧初探》(高行健)一出来就受到卟人的批判,一些出于不同心理的人纷纷阻止它,但是小说创作同我们的经济建设一样只做不说或多做少说,很快出现了一批不同凡响的现代派先锋派作品,这类探索性作品锐气十足风头正健,它们甚至雄健而顽强地挺过八九十年代之交那段文学尴尬和低潮的梅雨季节,它们的内涵更丰富了,艺术个性更显豁了,生命底气 When “the first exploration of modern fiction techniques” (Gao Xingjian), as a literary commentary in the early 1980s, came out to be criticized by some scholars, some people of different psychology stopped it one after another, but the creation of fiction was just the same as our economic construction Or more and less talked about, and soon appeared a group of extraordinary modernist avant-garde works, such exploratory works full of vigor and vitality euphoria, they are even vigorous and tenacious survive the 80s and 90s that literature awkwardness And the low tide of the rainy season, they are more connotations of the more personalized personality, life emboldened