作家对语言的选择和使用既受制于当时一般语言状况的总体语境,也受制于作家本人的出身、经历、学养甚至性格,只有当二者达到水乳交融的状态时,才能产生最恰切的表达方式。叶广芩是满清贵族苗裔,生长于社会剧烈变革的20世纪后半叶,作为作家,只是在她把当下商品社会的世态人心、贵族家族的式微和中国传统文化品格结合起来,以“道也者,不可须臾离也,可离非道也”(《中庸·天命》)的原则塑造出一个近乎完美的“仁人”或背离“仁人”的人时,其作品独特的审美价值才得以实现。发表于《小说月报》2000年第1期上的叶广岑近作《醉也无聊》就是如此:思想内蕴上的独特观照和叙事方式上的个性追求互为依存,用一套 The choice and use of language by the writer is not only affected by the general context of the general language situation at that time but also by the author’s origin, experience, education and even his character. Only when the two are in perfect harmony can they produce the most appropriate expression the way. Ye Guangqin is a Manchu aristocrat who grew up in the second half of the twentieth century as a dramatic social change. As a writer, she combines her own thoughts and feelings of the current commodity society with the aristocrats of the aristocratic family and the traditional Chinese culture. , The aesthetic value of his works can only be realized when he creates a near-perfect “benevolence” or a departure from “benevolence” from the principle of “being doctrine of the mean and doctrine of God”. This is the case of Ye Guang-cen’s recent book Drunk-boring, published in the first issue of the Novels Monthly in 2000. The unique perspectives on the inner connotation of ideas and the pursuit of individuality in narrative ways are interdependent.