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本文尝试通过拉康的“实在界”来解读希区柯克的电影《眩晕》,通过对他的影视作品的分析,我们能发现他非常善于将不同的镜头视角当作工具来使用,并且常常运用窥探的视角来完成对其作品的表现,而《眩晕》在他的作品当中就是极具代表性的一部作品。在他的作品当中,男女主人公成为一种艺术表现形式,他通过经典的“眩晕镜头”来表现绝望复杂的心境,使其成为变相推动情节发展的工具。
This article attempts to interpret Hitchcock’s movie “Vertigo” through Lacan’s “The Real World”. Through the analysis of his films and TV shows, we can find that he is very good at using different camera angles as a tool to use, And often use the perspective of snoring to complete the performance of his works, and “dizziness” in his work which is a very representative piece. Among his works, the male and female protagonists become an art form, expressing the complex state of mind and despair through the classic “dizzy lens”, making it a tool for the disguised development of the plot.