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青绿山水在唐朝是山水画的主流,宋元以后渐渐让位于水墨山水。青绿山水注重青绿的颜色,所以山石设青绿色,再施以石青、石绿。而在石青绿设色之前,先用墨色或绿色打底,再一层一层染石青、石绿,染一层色,便加一次矾水,使其色彩固定而有厚度,古称“三矾九染”。元代画家用生宣纸,这是中国画的一次工具材料改革。在生纸上用皴法表现山石骨骼,立即渗入纸里,需用干擦的方法,使其连绵一气,因此擦便独立成法了。淡墨、焦墨、
Green landscape in the Tang Dynasty is the mainstream landscape painting, gradually after the Song and Yuan dynasties in ink landscape. Blue green landscape pays attention to the color of the green, therefore the mountain stone sets up the turquoise, reapplies the stone blue, the stone green. In the turquoise color setting, first with ink or green primer, and then a layer of dyed azure, stone green, stained layer of color, then add alum water, the color of a fixed thickness, the ancient name Three alum nine dye ". Yuan artists used raw rice paper, which is a tool for Chinese painting material reform. In the raw paper on the performance of rock with skeletal, immediately infiltrated the paper, the need to use dry rub method, make it a succession, so wipe independent method. Light ink, coke ink,