从现代教学理论出发，以我国书法艺术的演进为背景，就米书的艺术特色、《苕溪诗卷》在学术、习行方面的角色和功能等，发表了具有探讨性的观点。米布《著溪诗卷》，古称《着溪里话友诗六首》（见明万历三十一年《戏鸿堂法书》卷十三）、《着溪呈话友五律六首》（见乾隆十五年《三希堂石渠宝发法帖》第十册），现多称《着溪诗卷入《曾溪诗帖》，或简称《着溪帕》。 From the perspective of modern teaching theory, taking the evolution of Chinese calligraphy art as the background, this article has a tentative point of view on the artistic features of rice calligraphy and the role and function of “Poem Poems” in academic and practicing aspects. Mibu, “a poem with the river,” the ancient name, “the words of the Friends of the poem six” (see Ming Wanli thirty-one years, “Opera Hongtang Law” Volume thirteen), “ (See Qianlong fifteen years, ”Three Greek Church Shibei Bao Fa Fa“ tenth volume), is now called ”Xi Xi poem into“ cengxian poem ”, or“ Xi Xi. ”