京剧的指挥——板鼓,是用手中的两支鼓楗子(两支竹条)打出各种节奏型来控制乐队(是有声的指挥法)。因此,京剧鼓师不但是指挥者更是伴奏者,他主要通过各种不同的入、转、收手法和节奏型(鼓套子)来控制乐队,把控整个戏的风格。下面从京剧盖口、京剧锣鼓、京剧唱腔等几个方面讲讲京剧板鼓的入、转、收。一、鼓师在开启伴奏前的依据之一——“盖口”“盖口”就是两个演员对口唱或对口念的时候,彼 Peking Opera’s command - drum, is the use of the hands of the two drum 楗 son (two bamboo) play a variety of rhythmic patterns to control the band (is the voice of the command law). Therefore, the Beijing opera drummer is not only the accompanist, but also controls the band mainly through various methods of entering, turning, closing and rhythm (drum sets) to control the style of the whole play. The following Beijing Opera cover from the mouth, Beijing Opera percussion, Beijing opera singing and so on several aspects of Beijing Opera drum into, transfer, income. One, the drummer to open one of the basis before the accompaniment - “cover ” “cover ” is the two actors on the mouth of the mouth or mouth to read, when he