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明末清初,方以智通过对先秦儒家典籍中有关道器关系的创造性诠释,提出了“道寓于艺”的全新道器观。“道寓于艺”突出地强调了利民厚生之实学(包括“质测”学)对于“道”的必要性,它突破了宋明理学家视性命为精、形迹为粗的思想倾向。在“道寓于艺”的语境中,各种求利的职业劳动并非无关伦理的纯粹事功,其中蕴涵着求道(仁)的精神信念。此于当前社会的职业伦理建设和中西文化的会通,都具有十分重要的理论价值和现实意义。
In the late Ming and early Qing dynasties, Fang Yizhi put forward a new concept of “Tao in art” through the creative interpretation of the relation between Taoism and Taoism in pre-Qin Confucian classics. “Dao Yu Yu Yi ” highlights the need for the “Taoism” of Limin scholarship (including “quality ”), which broke through the Song and Ming Neo-Confucianism Rough mindset. In the context of “Tao dwelling in art ”, all sorts of occupational labor for profit is not a mere merit of unrelated ethics, which implies the spiritual conviction of seeking truth. This construction of professional ethics in the current society and the meeting of Chinese and Western cultures have very important theoretical and practical significance.