一、唐代小说中的女性形象概述在“既嫁从夫”“一妻多妾”等伦理道德的桎梏下,中国古代女性在家庭中的地位风雨飘摇。唐代是我国封建社会经济繁荣、社会风气开化的发展阶段,其中一个重要的标志就是女性自我意识的觉醒。这种觉醒使唐代女性在现实生活中逐步摆脱了相夫教子的单一化形象,虽然女性的从属地位没有得到彻底改变,但她们正在向拥有不同个性的自我迈进,这种觉醒与进步自然而然地投射在文学创作之中。可以说,唐代是小说中女性形象塑造的繁荣时代,不仅成功地塑造了各类女性形象,更为可贵的是多将女性置于一号主人公的位置,并开始注重其人性的多样化,成为展现唐代妇女生活的重要史 I. The Female Images in the Novels of Tang Dynasty An overview of ancient Chinese women’s position in the family under the shackles of ethics and morality such as “married husband”, “wife with multiple concubines” and so on. The Tang Dynasty was the stage of development of China’s feudal society with its economic prosperity and social atmosphere. One of the important signs was the awakening of women’s self-awareness. This awakening made the women in Tang Dynasty gradually get rid of the single image of the goddess in real life. Although the subordinate status of women has not been completely changed, they are moving towards self-orientation with different individualities. Naturally, such awakening and progressing Cast in the literary creation. It can be said that the Tang Dynasty was a prosperous era in shaping female images in the novel. It not only succeeded in shaping various types of female images, but also placed more women in the position of No.1 hero and began to pay attention to the diversification of human nature. Become an important history of women’s lives in the Tang Dynasty