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有人说:摄影90％是观察,10％才是拍摄。确实,对于迥然不同的题材、千变万化的场景,摄影者不善观察就谈不上真正意义上的拍摄。 观察,就其最广泛的意义来说,就是运用你的知觉、智慧和情感,使你的整个身心与拍摄题材交流融合。杂念的干扰和对拍摄题材的先人之见是提高观察力的最大障碍。生活的压力、工作的不顺心以及种种杂念往往使摄影者思绪不集中,对拍摄题材失去足够的敏锐性。对拍摄题材的先人之见则容易使我们带着脑中早已形成的框框来看事物,致使我们只能看清框框以内的事物,妨碍了我们观察框框以外的世界。
Some people say: 90% of photography is observed, 10% is shooting. Indeed, for a very different subject, the ever-changing scene, the photographer can not be good at observation in the true sense of the shooting. To observe, in its broadest sense, is to use your perceptions, wisdom, and emotions to bring your entire body and mind into contact with the subjects of the filming. Distractions and distortions of the ancestors of the subject matter of filming are the single biggest obstacle to increasing observational power. The stress of life, the frustration of work, and the distractions often make the photographer not focused and lose enough acuity in the subject matter. It is easy for us to take a look at the ancestral subjects of the filming subjects so that we can only see things within the frame and prevent us from observing the world beyond the frame.