从唐宋时起,随着文人画的兴起,以笔墨为主体的绘画语言逐渐取代了以设色为中心的绘画语言,最终成为中国画的主流。在此历程中,绘画色彩观念也随之不断变化,使中国画色彩理论发生了空前转变。唐人张彦远提出的色彩学命题 From the Tang and Song dynasties, with the rise of the literati painting, the language of painting, mainly composed of ink and brush, gradually replaced the painting language centered on tinting and eventually became the mainstream of Chinese painting. In this process, the concept of painting color also changes constantly, which makes the color theory of Chinese painting unprecedented change. The Coloring Proposition Made by Tang Yan-yuan