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在欧洲,很多有名的大艺术家同时会是美术学院的教授,过去有最最最最有名的博伊斯,现在同样有最最有名的瑞哈德·里希特。但是在美国,第一流的艺术家经常不会是美术学院的教授,当了教授而且弟子中出了著名艺术家的例子就更少了。50年前的约翰·凯奇教出了劳森伯格,80年代的让·波德沙里教出了辛迪·谢尔曼和罗伯特·朗哥,这是很少的例外。这种差别很可能和艺术学院中教授的工作方式、工作强度在不同的国家中有不同传统要求有关。教师的工作越是仅为学生提供一种精神性的指引,他就越有可能有完整的心态和时间来做好自己作为一个
In Europe, many famous big artists will also be professors at the Academy of Fine Arts. In the past, there are some of the most famous and famous Boyce and now the most famous Rehm Richter. But in the United States, first-rate artists are often not professors at the Academy of Fine Arts. Even fewer professors and famous artists are among the disciples. John Cage fifty years ago taught Rauschenberg, and Jean-de-Pauzhari in the 1980s taught Cindy Sherman and Robert Longgo with a few exceptions. This difference is likely to be related to the way in which professors in the arts institute work and the intensity of their work has different traditional requirements in different countries. The more a teacher’s job is to provide students with a spiritual guide, the more likely he is to have a complete mindset and time to be yourself as a