从《风》《骚》的时代到唐代,是古典诗歌蜕变、成熟的过程,诗歌形式、技巧、内容诸种要素都发生着深刻的变化。我们习惯把中国三千年诗史喻为一条流淌着的长河,河的源头是《诗经》《楚辞》,奔腾激流处便是唐诗。然而源头上的袅袅暗香已然成为历史尘迹,历史的演进如同流动不息的河水,毕竟连同那个时代一起流向远方。为何当我们驻足在奔流激荡处却依旧能够感受得到那云山浩气中裹挟有芬芳之气,浓郁,厚重,苍茫如斯?这个问题像是一个谜,引人着迷却让人迷惘。从唐代始,这一问题便吸引着众多通达硕学之人不断尝试解答,唐人殷璠《河岳英灵集序》是与被评 From the era of “wind” and “Sao” to the Tang Dynasty, it is the process of transformation and maturity of classical poetry. All kinds of elements of poetry form, technique and content have undergone profound changes. We are accustomed to the Chinese three thousand years of poetry as a flowing history of the river, the source of the “Book of Songs” “Chu Ci”, Pentium Rapids is the Tang poetry. However, the source of the curl of fragrance has become a historical track, the evolution of history as a constant flow of water, after all, together with the flow of time to go afar. Why is it that when we stop at the turbulent turmoil and still feel the air of richness, rich, heavy and so vast? The question is like a mystery, enchanting and confusing. From the beginning of the Tang Dynasty, this issue attracted many Masters learned through constant attempts to answer,