刚刚过去的一年,话剧创作取得了可喜的成绩,出现了一些好的和比较好的作品。但从整个情况看,话剧创作正面临着一个如何进一步提高质量的问题。我们经常听到观众一些不很满意的议论。一是认为有些戏不够真实。舞台上所出现的那些“生活”,观众总感到虚假,引不起他们的共鸣。观众走出剧场,不免遗憾地摇头:“胡编的。”二是感到反映现实生活中矛盾斗争的戏少了。在进行四化建设的道路上,每前进一步都要遇到许多的阻力和困难。生活中充满了光明与黑暗、新与旧、先进与落后的矛盾和冲突。但是,在话剧创作中却存在着某些回避矛盾,绕开矛盾的情形。有人说,这是“无冲突论”在新时期的一种表现形式。三是觉得一些话剧的思想和艺术,都还存在着 In the past year, dramatic achievements have been made gratifying and some good and better works have appeared. However, from the perspective of the whole situation, drama creation is facing a problem of how to further improve its quality. We often hear some of the audience is not very satisfied with the argument. One is that some scenes are not real enough. The “life” that appeared on the stage, the audience always feel false, can not attract their resonance. When the audience walked out of the theater, they could not help but regretfully shook their heads: “Hu made the book.” Second, they felt little drama that reflected the contradictions and conflicts in real life. On the road to the four modernizations, we must encounter many obstacles and difficulties every step of the way. Life is full of conflicts and conflicts between light and dark, new and old, advanced and backward. However, there are some contradictions and contradictions in the creation of drama. Some people say that this is a manifestation of “conflict-free theory” in the new era. Third, think of some of the ideas and art of drama, there are still