书法作为一种中国的象征,自从夏商时期就已经开始出现,先后经过了甲骨文、金文、大篆、小篆、隶书、楷书、行书、草书形成了自己独特的运行系统,在中国历史上留下了灿烂的一笔。对于书法的发展趋势,目前在书法界大致有三种类型,一种是坚持古典,一切打好基础,认真学习古代大师留下的遗作为出发点。另一种是1文革后开始的新古典主义书法,主要是借用西方的名字,对三国两汉时期的艺术精神的回归,既不是单纯的帖学,也不是单纯的碑学,而是碑帖结合。第三个是现代书法,2也就是说现代书法通过形式主义的转型,完成了书法从概念到非概念的过程。 As a symbol of China, calligraphy has begun to emerge since the Xia and Shang Dynasties. It has formed its own unique running system through the inscriptions of Oracle, Jin Wen, Seal, Xiaozhuan, Lishu, Scripture, and Cursive, leaving behind in Chinese history A brilliant sum. There are basically three types of calligraphy in the world of calligraphy. One is to uphold the classical style, lay a solid foundation for everything, and earnestly study the legacy left by the ancient masters as a starting point. The other is a neoclassical calligraphy started after the Cultural Revolution, mainly borrowing the name of the West to return to the artistic spirit of the Three Kingdoms and the Han dynasties. It is neither a mere calligraphy nor a simple tablet study, but a combination of rubbings and plaints. The third is modern calligraphy. 2 That is to say, through modern formalism, modern calligraphy has completed the process of calligraphy from concept to non-concept.