时光如流,转眼又是一年。在岁尾一如既往,又要盘点和遴选本年度中篇小说的佳作力作。这种工作感觉,很像是渔民在汛期走向瀚海。至于能捞获多大和多少的鱼,既与自身的经验相关,但更在根本上决定于海藏的丰寡与否。对于长篇小说而言,2013年无疑是个“大年”。一些重要作家,纷纷推出了自己的新作,比如韩少功的《日夜书》、余华的《第七天》、苏童的《黄雀记》、阎连科的《炸裂志》等等。质量姑且不论,数量已足先声夺人。与之相比,中篇小说创作领域显得 Time flies, blink of an eye another year. In the end of the year, as always, but also inventory and selection of masterpieces of this year’s novella masterpiece. This kind of work feeling, much like fishermen in the flood season to the sea. As to how much and how much fish can be harvested, it is not only relevant to our own experience, but also fundamentally determines whether the sea is rich or poor. For novels, 2013 is undoubtedly a “big year.” Some important writers have launched their own new works, such as the “Night and Day Book” written by Han Shaogong, the “Seventh Day” by Yu Hua, the “Yellow Squatt” written by Su Tong and the “Cracked Slogan” by Yan Lianke. Regardless of the quality of temporary, the number has long been victorious. In contrast, the field of novella appears