看了2005年第一期有关盆景艺术评论和盆景展览评分制的两篇文章,感触良多。象石万钦、江虞民、卢木良这样敢于有活直说的人实在不多。盆景艺术起源于中国,但评论和评展制却远远落后于其它国家。怎样才能做到公正、公平、公开,从而提高人们的整体艺术水平,这是我们从事盆景创作的人必须认真对待的。盆景评分的标准是评委们的共识。记得梁锐美大师讲过“盆景的好坏,没有所谓的看法不同,只有技艺、修养程度的不同”。也就是说评选者的艺术见解、水平、准则应处于同一个层次上,才不会 Read the first phase of 2005 bonsai art review and bonsai exhibition scoring system of two articles, feel a lot. Like Shi Wanqin, Jiang Yu-min, Lu Mu-liang dare to have such a straightforward person is not much. Bonsai art originated in China, but reviews and evaluation system lags far behind other countries. How to be fair, fair and open, so as to enhance people’s overall artistic level, which is what we must take seriously in the creation of bonsai. Bonsai scoring standards is the consensus of the judges. Remember Master Liang Rui Mei said “bonsai is good or bad, there is no so-called different views, only the skills, different degrees of self-cultivation.” In other words, the artist’s opinion, level and criteria should be at the same level