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巴尔加斯·略萨是继加西亚·马尔克斯之后另一位为中国读者所熟知的拉美文学巨匠。2010年的诺贝尔文学奖无疑为他众多奖项编织成的桂冠上镶嵌了一块至尊宝石。略萨的小说以其变幻莫测的结构和制图般描绘的现实闻名于世。沿着略萨的创作轨迹,不难发现他的文学观进行着由左及右的位移,由冒进的文学“介入”思想转向保守的个人情感宣泄,由社会回归自我。本文试图从略萨个人的童年遭际、情感经历、思想观念、政治影响等方面探寻他文学观转变的缘由。
Vargas Llosa is another Latin American literary guru known to Chinese readers after Garcia Marquez. The 2010 Nobel Prize for Literature undoubtedly lays a supreme jewel on the laurels that weave to many of his prizes. Llosa’s novel is famous for its unpredictable structure and cartography-like reality. Along Llosa’s creation track, it is not difficult to find that his literary view has shifted from the left and the right, from adventurous literature “intervention ” thought to conservative personal emotion and venting from the society to the self. This paper tries to find out the reason of the change of his literary view from the personal experience, the emotional experience, the ideological conception and the political influence of Llosa’s childhood.