在中国现代诗歌史上,有一个有趣的现象,年轻时以诗名者,到中年以后往往不再写诗,像写过《渡河》的陆志韦,写过《宝马》的孙毓棠,诗才横溢,后来都搁下诗笔,成了著名的心理学家和历史学家。“五四”初期主编过现代文学史上的第一本新诗刊物《诗刊》的刘延陵,也是其中的一位。他早年所作的《水手》脍炙人口,曾与他的另一首诗《海客底故事》一起被朱自清选入《中国新文学大系·诗集》而广为流传。1922年6月商务印书馆出版的新诗集《雪朝》,作者共八人,刘延陵与朱自清、周作人、俞平伯、郭绍虞、叶绍钧(圣陶)、郑振铎等七人并列其中,他入选的新诗有13首之 In the history of modern Chinese poetry, there is an interesting phenomenon. When you are a young man, you are often famous for his poetry. You often stop writing poetry after middle age. For example, Lu Zhiwei, who wrote the “Crossing the River,” and Sun Yutang who wrote “BMW, Later put aside the poem, became a famous psychologist and historian. Liu Yanling, who was the editor of the first edition of new poetry in the history of modern literature at the beginning of the May Fourth Movement, was also one of them. His ”sailor“, which he made in his early years, became very popular and was widely circulated with his other poem, ”The Story of the Sea Hakka,“ by being selected by Zhu Ziqing as ”the major collection of Chinese new literature.“ In June 1922, a new collection of poems published by the Commercial Press, ”Xue Chao", was composed of eight persons. Liu Yanling and Zhu Ziqing, Zhou Zuoren, Yu Pingbo, Guo Shaoyu, Ye Shaojun (Shengtao) and Zheng Zhenduo were all tied together. The first 13